I just bought a new LG 32" 4K monitor and found my PBR render speed was slower than on my 27 Inch monitor. I discovered that the size of the window affects the render and denoise speed. With the window size the same on each monitor the speed is equal. If I shrink the window size to about 8" of render display the time to render and denoise is almost instantaneous. If I have the window full size on the 32" display the time goes up to about 9 seconds to finish rendering and denoise. I now know that if I'm just looking around to see what the model looks like a smaller window will speed up the process greatly. I hope this helps to understand how the render speed works.
I have been using X12 since it came out and for some reason, I am forever struggling with achieving some of those beautiful renderings I've seen others post. I have looked through this forum for clues, and while I have found some great pointers, I still come up with lousy renderings. I have notes from threads I have gotten here about settings, and making sure you have a slab and roof, etc...but still I find myself struggling with this. My biggest frustration is with lighting. How does reduce the sunlight that comes in through the windows? Then its the light that you see come through the mirror, sofa, ceiling. This rendering was done in about 30 passes+ which I've read shouldn't take this long to produce if your width and height is adjusted to read 800(?) Any advice would be greatly appreciated.
I am very perplexed by the lack of light in the interior physically based ray tracing camera. They always appear to be taken with all the interior lights off.
What I have tried so far:
- adjusting the camera exposure and brightness
- adding lights and light sources
- increasing the maximum number of lights on
- adjusting the sun angle, etc.
I can NOT figure out how to make the interior rooms brighter!! I would LOVE if someone can help! This is a very powerful tool if it can be rendered correctly
both attached images have light sources that are turned on
I have been trying to create more photorealistic renderings with Chief as I don't have the current budget for additional software.
I have been playing with the CPU Ray Trace option and keep coming up with grainy images that seem darker than I'd like.
I have played with the lighting and sunlight and I've pushed the resolution higher and higher every time I try with no luck.
If adjust the contrast of the image it makes it a little brighter, but it still is lacking.
The first image went for 60 passes, the next one was 40 and the 3rd was 50 passes.
I would love some insight and recommendations on fixing the grainy look as well as just creating more realistic images!
I am using Premier X13 on iMac
X-13 RTRT, A breakdown from another forum in response to growing frustrations with RTRT. (Items that are specific and searchable terms in CA have capitalized first letters) There is nothing "wrong" with the new Astral PBR RTRT option. Better understanding of a modern rendering engine may help alleviate some issues. If you are feeling overwhelmed by this info you can always uncheck the option for the RTRT in your Rendering Techniques Tool. Feel free to contact me for support or advanced training. • In RTRT a low sample rate is used in live camera views. • For exported presentations images similar to a CPU-based RT, set your Maximum Export Samples as low as needed to eliminate fireflies and light leaks. The higher the sample rate in RTRT Rendering Techniques, the better the image(up to a point where benefits are negligible). This only applies to the Export Image Tool. • A sample rate in basic terms is the number of samples from a camera of a given Objects Material ID as it applies to the geometry of an object, including colors, lighting, shadows etc. The more times something is sampled the less aliasing there exists in a final image. • The more light exists in the scene the easier it is to Sample. • You must supply ample light in adjacent rooms for the RTRT engine to properly process and "trace" your scene. Devoid of light, your exterior will be overly exposed, your interior may be underexposed, and you may have fireflies or light leaks. • Ensure that your active Light Set is on and illuminating your scene, which is accessed a number of ways, one being the Edit Active View tool, in the Camera Panel, under the Lighting Section. • With ample lights, an interior scene Rendering Technique Options might have an exposure from .15-.35, a Maximum Sample Rate of 500-1500, a Brightness between -10 to 0, a Backdrop intensity between 100-1000. This is not and never will be a universal setting, each scene needs adjustment according to the amount of light available to that scene. • If your scene is underexposed you may need to adjust your lighting including the lumens of your light fixtures. • Sun settings will do very little to help overexposure, underexposure, light leaks or any other trace related problems. This is the nature of a tracing engine. • Live view will always be of lesser quality than an exported image using the Export Tool(because of the option to change the sample rate.) • Typical problem causing issues: Caustics, Lights near transparent or translucent surfaces, lights of high Lumen values in one room juxtapose to lights of low lumens in an adjacent room. High resolution bump/roughness/normals maps in materials. These issues all cause difficult scenarios for attenuation and aliasing. Some of the fixtures being used are not optimized for this new engine. Consider changing the material properties of any glass that is in close proximity to a light source. Changing the glass material of a light fixture that is turned on in a RTRT camera from Transparent class to General Material with high Transparency can yield much more predictable results. Same goes for situations when inside cabinet lights do not show up in RTRT behind Transparent Class windowed cabinet doors. There is a lot more to this, you can have some success with this info, but barely scratches the surface. For some incredibly good generalized rendering info, read the Thea Render Manual(free online) It has some fantastic info in it that applies to all rendering engines. The following images are a RTRT with zero lights(screen clipped), an RTRT with lots of lights and same settings(screen clipped), and an RTRT export of the same scene The last image has the backdrop turned up since the sun direction is not illuminating the backdrop. Backdrop setting of 1000.