ericepv

Lot's of great textures here: http://www.tonytextures.com/free-green-nature-ground-texture-photo-gallery/

Better wording. From the image you posted, it looks like about a 36" return with a 4" extension.

It determines the length of the return, give it a try.

I do have a contract that holds the client responsible for debt collection and legal fees. It's not a large amount (less than $500.00) but something is better than nothing. I'm not about to let him get away with skipping out on his bill.

I'm looking into that now.

Worth looking into but it sounds like I'd need to hire an attorney $$$.

That won't happen.

I really don't know, that's why I'm asking for advice.

I've been down the small claims route before (and yes, I already have the paperwork) but my main concern is collecting even after a judgement in my favor. As I am out of town (NY vs AZ), I may need to hire a Marshall if the defendant still refuses to pay even after a judgement in my favor. Based on what I know so far, a lien provides much more incentive to pay up.

Has anyone had experience with filing a mechanics lien? I am trying to collect on an unpaid invoice from an out of state client.

Sounds like a material properties issue (too much reflection) but hard to tell w/o seeing your settings.If you really want someone to help, post your plan.

Left click on your 'User Catalog' and from the drop-down that appears, new/3D symbol.

Here's a couple from my library that I found on 3DWarehouse...Gooseneck sign light fixture.skp Sconce-Barn Sconce 01.skp

Constant practice and experimentation is the key Jeffery. Keep learning about lighting and materials and you'll soon be producing terrific renderings. - Eric

I always try to keep the ambient light as low as possible (it tends to make a scene look flat) and use quality material images which have been 'massaged' to provide the best look (take some time to learn about material maps) and add plenty of strategically placed lighting. Also, keep your camera at eye level and don't tilt it downward. Take a look online for tips from professional photographers on how to properly compose a scene. There's no simple answer here, it's just a matter of learning how to manage lighting, material properties, camera placement, composition and 'dressing the scene'. There are several good videos on the knowledge base (which you may have already seen) which will educate you in the basics but beyond that, it's a matter of practice and experimentation to help you learn how each setting influences the look of your image.

Use the 'Adjust Material Definition' tool (Rainbow tool) to adjust the material properties for the ceiling.

Just from looking at the images I can think of a few issues I'd check: Light source is too intense, decrease the lumens Try adjusting the absolute elevation of the light source You're getting too much reflection from the ceiling, is is set to matte or general material?

Look here: Bonus Catalogs/Country Chic No 4/Lighting/Barn lights Also, here's a model I downloaded from 3D WarehouseSconce-Barn Sconce 01.skp

Here's a couple more... Drapes-Pleated on rod.skp curtain-15.3DS

I think applying a material region may be your best bet.

Sounds like you need to customize your toolbars. Here a a couple of Knowledge Base articles that should help: https://www.chiefarchitect.com/support/article/KB-00467/troubleshooting-missing-toolbars.html https://www.chiefarchitect.com/support/article/KB-00811/customizing-toolbars.html

Benny: Rather than using a Back Clipped Cross Section, have you considered trying a Cross Section/Elevation or a Wall Elevation instead? Both of these options will provide more detail. Eric

PM & email sent.

I'm a bit of a distance from Savannah (Rochester, NY), but I do work with clients all over North America. Give me a call if you'd like to review your project. - Eric

In the 'General' tab of DBX for your door, specify 'Percent Open" in the 'General' section.